EVENTIDE Mod Factor Bass Effect

EVENTIDE Mod Factor

Premier recording studios worldwide use Eventide on hit after hit.  ModFactor features Eventide's 27 best modulation effects without compromising quality OR flexibility.

Flexibility Built-In

Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.
Easy to upgrade; download new software from the Internet and install via USB.
Features

• 27 of Eventide’s signature stereo or mono effects:
• Liquid Chorus
• Shimmer Chorus
• Organic Chorus 
• Negative Phaser  
• Postive Phaser
• BiPhase Phaser
• Feedback Phaser
• WahWah Q-Wah
• Voc-Wah Q-Wah
• Positive Flanger
• Negative Flanger
• Jet Flanger
• Thru-o Flanger
• Lowpass ModFilter
• HiPass ModFilter  
• BandPass ModFilter
• Standard Rotary
• Giant Rotary
• Bias Tremolo
• Opto Tremolo  
• Modern Vibrato
• Vintage Vibrato
• Retro Vibrato 
• Pitch Undulator
• Feedback Undulator
• Ring (DC) Ringmod
• String (AC) Ringmod
• Studio quality sound
• Software upgradeable via USB 2.0
• MIDI control via USB or MIDI in, out/thru
• Instant program change
• Real-time control with 10 knobs, MIDI, or expression pedal
• Tap tempo and MIDI clock sync
• 40 factory presets, unlimited through MIDI
• True analog bypass
• Rugged cast metal construction
• Reliable metal footswitches for instant preset access
• Mono or stereo operation
• Guitar or line level inputs and outputs

Bass Multi Chorus ™ is designed specifically for bass. What makes the Bass Multi Chorus ™ different is that it makes you clean record low while giving you up to 16 bass chorus voices at the same time to make lushest bass chorusing ever heard from a stompbox. There is also a built-in voice randomization that increases as you add voices to thicken the sound even further.

Features

• Speed-varies the rate that the chorus sweeps up and down
• Depth - controls the range or how wide the chorus sweeps up and down
• Voice - lets you morph from one up to sixteen chorus voices. Voice randomization is built-in and automatically increases as you add voices

Dual Outputs. The Mono/Stereo outputs can be switched between Normal and Mixer output modes. Normal output mode is for connecting directly to the input of your bass amplifier. Mixer output mode, with CIT™ bass cabinet emulation technology, is for connecting directly to a mixing board or headphone preamp

Bass Multi Effect BP355

BP355 provide more sound, effects, flexibility, and control for bass players than other bass multi-effects pedal for the money. Most bass players do not ask for much in the way of effects. We have been trying hard to ensure that whatever they will find everything they are looking for and more in new BP355. Supported by the processor ® AudioDNA 2, BP355 advanced features 20 amp models, 17 different cabinets, and more than 70 different effects.

Although durable die-cast metal chassis BP355 made ​​for the stage, it is the perfect tool for almost every player playing bass to complete them. BP355 has an additional input for your MP3 player, 60 different CD-quality drum patterns, and 20 second looper player can be used to jam, to practice, or to play together. He also has a built-in tuner and an expression pedal, power supply is also included.

Using the USB port of BP355 on basketball players can stream audio to their computer and adjust their presets. There are 70 factory presets programmed with 70 user presets available space.

Features
- 20 Amps
- 13 Cabinet Types
- Lexicon® Reverbs
- 30 Tone and 30 Effects Libraries
- 140 presets (70 factory, 70 user)
- Cubase® LE recording software included
- Up to 5 seconds of delay time
- 20 Second looper
- 24-bit 44.1kHz sample rate
- 60 High quality drum patterns
- 2 x 2 USB audio streaming
- USB editing via DigiTech X-Edit™
- Independent 1/4" Left and Right Outputs
- Independent Balanced XLR Left and Right Outputs
- Amp/Mixer switch optimizes 1/4" outputs for amps and mixers
- Stereo 1/8" headphone output
- Stereo 1/8" Aux Input
- Built-in chromatic tuner
- Durable die-cast chassis
- Built-in expression pedal
- Power supply included

MXR Eddie Van Halen Phase 90 Phaser Pedal

MXR Eddie Van Halen Phase 90 Phaser Pedal

Phaser pedal. Made by MXR. (MC.EVH90)

Edward Van Halen earned his place in the guitar tone hall of fame with the first note on his debut album in 1978. Album guitar work is still startling the mind more than 25 years later. The tone is a classic EVH on record is one of the largest ever, and most of Eddie's guitar sound has always been MXR Phase 90. Phase 90 which contributed extraordinary tone "Eruption," "Is not Talkin''Bout Love," "On Fire," and "Atomic Punk," plus many other timeless Van Halen tracks.

Now you can take a piece of Eddie's magic with the new EVH MXR 90-a collaboration between Eddie Van Halen and Dunlop Manufacturing that represents a totally redesigned, the latest version of the legendary Phase 90. EVH 90 will give you the same great neglect and swirls hypnotic warbles that made Phase 90 famous. EVH 90 but also features all-new Script switch that lets you instantly switch between the vintage, "Script Logo" phase tone and a more modern, in-your face "Block Logo" phaser. Plus, the EVH 90 sports the greatest graphics in the history of rock music: red, white and black stripes from Eddie's legendary Frankenstein guitar. Oh yeah-it also had a bitchin 'new blue LED.

Dunlop CSP-001 MXR Custom Variphase Pedal

Dunlop CSP-001 MXR Custom Variphase Pedal


Pedal Variphase. Made by Dunlop. (MC.CSP-001)

Which is Variphase MXR Phaser killer twist on the classic Phase 90 phaser pedal. Built into a Crybaby-style housing, the same features Variphase warm and thick analog phasing, but is now adjustable in real-time via the rocker pedal. Vary the speed of the smooth, long cycle to a fast, watery warble, and everything in between!

Fender® Phaser Pedal

Fender® Phaser Pedal

Phaser Guitar Effects Pedal. Created by Fender ®. (MC.023-4500-004)

"Shift" into high gear with the Fender Phaser, great for both guitar and bass and really super-whoooshy the sound!

Retro-style '70s era look good, of course, of course-but you also get efficiently versatile intensity, rate, bypass and frequency controls that allow you to adjust a smooth phasing sound to utter perfection. You can easily emphasize treble or bass frequencies, and a large "rate" dial blue and red in time with the rate of phase shift, a really cool and scientific-looking, and so on.

Fender® Phaser Pedal Features:

    * Rate-This button controls the rate at which the phase shift occurs. The level of control buttons alternately blue and red lights at the same speed as the phase shift.
    * This button IntensiIty-regulate the intensity Phasing effect.
    * Frequency-this button will adjust the frequency that is affected by the phasing action. Fully counter-clockwise causes the bass frequencies most affected by the phasing action, fully clockwise causes the treble frequencies to be most affected by the phasing action.
    * Bypass SwiItch-A "true-bypass" of the phaser effect. Changing the phasing effect on-off.
    * Output Jack-Connect to your amplifier input (or other audio device).
    * Input jack-Plug your guitar (or other audio source) in here. Un-plug the input plug from this jack to turn off the device and save power (very important) when not in use.
    * DC Input Jack-Plug in an AC-DC 9V adapter (see specifications) into this jack to eliminate the need for batteries.

Fender® Phaser Pedal Specs:

    * Input Impedance: 470kOhm Nominal Input Level:-20dBV
    * Output Impedance: 4.7kOhm
    * Nominal Output Level:-20dBV
    * Recommended Load Impedance: 50kOhm or Greater
    * Power Requirements: 9VDC (Center Pin = Negative); 40mA Minimum

Zoom B2.1U Bass Guitar Multi-Effects Pedal w/USB Interface and Recording Software

Zoom B2.1U Bass Guitar Multi-Effects Pedal w/USB Interface and Recording Software

Bass multi-effects pedal. Made by Zoom. (EM.ZOM-B21U)

Taking multi-effects to the next level, which B2.1U offers incredible effects, plus recording software and a USB interface, a drum machine and lots more!

Conventional floor-type multi-effect processor designed to sound good when they are connected to the amp. Modeling processors are designed to record the match. Until now, there is no product that could handle both scenarios with equal finesse. B2.1U pedal that offers two algorithms: One for live and one for the record. The sound you created at practice or in the studio can now be brought directly to the stage. Or take the sounds you worked out during the exercise and apply them seamlessly in the recording studio. Your creative scope suddenly doubled!

Zoom G Series effects pedals are the most powerful Zoom has introduced to date. All are based on the all-new ZFX-3 processor: 32-Bit Processing, 96kHz sampling, 24-Bit A / D, D / A converters.

Like a little brother, the Zoom B2, the Zoom B2.1U comes with seven effects modules with 45 effects types, an ultra-wide frequency response of 20Hz-40kHz (20kHz wider than some pro-quality recording studio preamps), a built-in drum machine with 40 rhythm patterns, an integrated chromatic tuner. Along with all this, add B2.1U expression pedal to get the most out of your Zoom-tones, and when you're ready to record, the Zoom B2.1U combines USB interface, and includes Cubase LE software! What makes it really cool, is that you can record to DAW with zero latency, which is very important for bass players.

Zoom B2.1U Features:

• 40 preset effects patches
• 40 programmable memory patches
• 7 effect modules with 45 effect types
• 32-bit processing, 96kHz sampling rate
• 24-bit A/D, D/A converters
• Ultra wide frequency response:20Hz - 40kHz
• Built-in drum machine with 40 rhythm patterns
• Integrated chromatic tuner
• Sturdy metal chassis with rubber side-guard shells
• Operates on 4 AA batteries, or AC power adapter (included)
• USB Interface
• Built In Expression Pedal
• Steinberg Cubase LE software included
• Remote Patch Editor available

Zoom B1 Bass Guitar Multi-Effects Pedal

Zoom B1 Bass Guitar Multi-Effects Pedal

Multi-effects pedal. Made by Zoom. (EM.B1)

Taking the Zoom 506II, one of the most popular bass multi-effects processor in history, the Zoom B1 is more than for the task! Great processing unit offers a range of exceptional features in one low price, in such a compact unit that easily fits in a gig bag!


Features include:

• Zoom ZFX-3 24-bit/96kHz digital multi-effects processor
• 46 Effects types / 8 Modules
• 40kHz frequency response
• Built in drum machine
• Harmonized pitch shifter
• 13 amp/pedal modeling sets
• 80 patches (40 user defined and 40 preset patches)
• Operates on 4 AA batteries or included AC power adapter (AD-0006D) 

Clear and solid bass sound thanks to 96 kHz sampling
The sonic frequencies generated by the electric bass around 40-600 Hz, but harmonics go all the way up to the ultrasonic frequency range. ZOOM B1 offers ultra-high resolution signal processing with 24 bit/96 kHz sampling, rivaling the best rack-mount processor. Dynamic, wide range bass signal management to maintain a clear lead effect, maintaining a strong tone of a different presence.

ZFX-3 - new generation 32-bit DSP
The core of all multi-effects device is a processor and decoder section. ZOOM raise performance to the next level with the newly developed ZFX-3 chip. Its 32-bit architecture means outstanding performance and smooth, detailed signal processing. Fine shades of feeling and touch come through without damage.

13 different bass amp and stomp box models
Would you like to push a big sonic all-tube amp, the sweet and gentle tone of vintage melodic lines or sound high power wide-range modern amp, the choice is yours. There are seven bass amp settings that range from Rock and Pop to Fusion and Jazz. Plus, five distortion pedals unique voice and a tube preamp for adding warmth are also available, allowing you to create exactly the bass sound you want. Free to mix between drive sound and original sound to create distortions in the real blow.

46 dedicated bass effects
Eight modules designed for bass guitar offer a total of 46 securities. A limiter / compressor lets you control peaks and ensure that levels are matched, while the three-band equalizer allows taylor your sound further. Auto wah is indispensable for playing that funky sound, and impressive low octaver improve coverage. A defret effect gives a special tone of fretless bass. Detune produces a chorus effect moderate amount of modulation. Other studio-class effects include a long delay with settings to 5000 ms and harmonic pitch shifter.

Bass synthesizer
Built-in full bass synthesizer uses an internal DSP sound source triggered by surgery. Select one of the three waves of settings (sawtooth, square, PWM) and create deep, punchy bass synth lines.

40 preset patches reproduce the sound pro
Unit comes programmed with settings for famous double amps and stomp boxes, settings that mimic the sound signature of famous rock bass player, and truly original ZOOM effect sound creations. Right out of the box, you can enjoy professional-quality bass guitar sound. And to save your own creative voice, user-defined set will store another 40 patches.

User friendly interface
Editing effects is as simple as choosing the patch with the selector button and adjust the parameters with the value knob. Let your imagination roam unhindered by complicated controls.

Integrated drum machine with PCM sound sources
Realistic drum sound comes from PCM sources are arranged in a variety of different patterns of rhythm music genre. 40 rhythm variations include steady 8-beat Rock and Pop, funky 16-beat, "Jazzy" 4-beat, and many more options. Training your bass guitar rhythm is never more comfortable. A button is provided for the convenience of direct tempo input.

Built-in auto-chromatic tuner for bass
Bass guitar tuner can be called directly. Mute tuning output offers further convenience. Bright LED indicators make the reading easy to see on a dark stage.

Ultra low noise
A signal-to-noise ratio of 110 dB and noise floor of -98 dBm mean that the background noise is almost eliminated, resulting in clean, transparent sound. ZOOM's sound reduction technology (ZNR) is also built, to really shut out unwanted noise during playing pauses.

Fits in a gig bag
Compact size and weight of the B1 make it ideal for those who want a lot of effects and great performance without having to carry much equipment. Reinforced plastic body can withstand the hard use on stage and on the road. Stylish looks are also very functional with the flush surface able to distribute pressure evenly. Unit feels great when you pick up and the same stable when you use the foot controls. This is the kind of product design that you can get only from an industry leader like ZOOM.

AC / DC allows use anywhere
Thanks to the circuit design optimized for low voltage operation, the unit will run for 12 hours continuously on a set of four IEC R6 (size AA) batteries. The INCLUDED AC adapter (AD-0006) can be installed in the studio for extended work, whereas on stage you do not have to worry about AC power.

Optional foot switch allows remote operation
When you connect the optional foot switch (FS01), you can switch patch banks or perform tap tempo input your feet.

Expression pedal support adds further flexibility
Connecting an optional expression pedal (FP02) lets you adjust volume, wah, or pitch shift in real time. But going beyond conventional pedal functions, you can also adjust the mixing ratio of direct sound and drive sound or freely control the modulation rate or delay and reverb effect parameters.

Zoom B2 Multi-Effects Bass Guitar Pedal

Bass multi-effects pedal. Made by Zoom. (EM.ZOM-B2)

B2: Taking multi-effects to the next level

Conventional floor-type multi-effect processor designed to sound good when they are connected to the amp. Modeling processors are designed to record the match. Until now, there is no product that could handle both scenarios with equal finesse. B2 pedal that offers two algorithms: One for live and one for the record. The sound you created at practice or in the studio can now be brought directly to the stage. Or take the sounds you worked out during the exercise and apply them seamlessly in the recording studio. Your creative scope suddenly doubled!

Zoom G Series effects pedals are the most powerful Zoom has introduced to date. All are based on the all-new ZFX-3 processor: 32-Bit Processing, 96kHz sampling, 24-Bit A / D, D / A converters.

Optimized for bass guitar, the Zoom B2 comes with seven effects modules with 45 effects types, an ultra-wide frequency response of 20Hz-40kHz (20kHz wider than some pro-quality recording studio preamps), a built-in drum machine with 40 rhythm patterns , an integrated chromatic tuner, and to top it all, the Zoom B2 has a price that will make you look twice.

Zoom B2 Features include:

• 40 preset effects patches
• 40 programmable memory patches
• 7 effect modules with 45 effect types
• 32-bit processing, 96kHz sampling rate
• 24-bit A/D, D/A converters
• Ultra wide frequency response:20Hz - 40kHz
• Built-in drum machine with 40 rhythm patterns
• Integrated chromatic tuner
• Sturdy metal chassis with rubber side-guard shells
• Operates on 4 AA batteries, or AC power adapter (included)

Behringer Bass V-Amp Modeling Preamp w/ Digital Effects

The Ultimate Tone Toolbox for Bass / Acoustic / Electric Guitar and Keyboard Amp Modeling. Bass Multi-effects processor. Made by Behringer. (EM.BHR-BASS-V-AMP)

Supported by Alphonso Johnson, Ken Taylor and Hellmut Hattler, three of today's hottest players, this is the end of the tone toolbox bass, acoustic / electric guitar and keyboard players! It's like having 4 modelers in a box-for the price of one.

Choose from 32 classic amps, 23 legendary speaker cabinets and 16 killer effects models.

Save yourself the 125 preset memory locations, or get presets developed by today's hottest players. Go to Behringer's ToneLibrary to get even more! Hitting the road is no problem: a power supply, dual Footswitch and show bags all included!

Features Include :

• 32 authentic virtual amp models can be combined with any of the 23 speaker cabinet simulations, noise reduction, compressor, wah-wah, distortion pedal simulations and one of 16 multi-effects
• 125 memory locations, divided into 25 banks with 5 presets each
• Stereo aux input lets you plug in and play along with a CD, drum computer, or MIDI playback for practice, teaching and home-recording applications
• Stereo output features dual ¼" TRS jacks which can be used as +4 dBu balanced or -10 dBV unbalanced outs
• Auto-chromatic tuner
• Dual footswitch permits toggling between five preset sounds within one bank—without any MIDI programming (included)
• MIDI implementation includes program changes, control changes and Sysex, allowing complete MIDI automation
• 16 analog and digital multi-effects including ultrabass, synth, delay/loop sampler, chorus, flanger, rotary speaker, voice box, auto wah, phaser, ambience and reverb
• 4 renowned distortion and overdrive stomp boxes with adjustable DRIVE, TONE, BOOST and SPLIT
• Wah-Wah pedal and studio compressor effects
• PRESENCE, DEEP and sweepable SHIFT/SHAPE controls for all amp models
• Studio-quality noise reduction, based on the renowned BEHRINGER SNR2000
• Sweepable 24 dB Butterworth frequency crossover

Behringer V-Tone BDI21 Bass Amp Modeler Effects Pedal

 Behringer V-Tone BDI21 Bass Amp Modeler Effects Pedal

Bass amp modeling, direct recording preamp and DI box all rolled into one!
So far more than just a DI box, which also BDI21 analog modeling bass preamp / stompbox. This BEHRINGER product has been designed to compete head to head with leading products on the market. * This gives you authentic V-TONE modeling technology capable of calling up big vintage tube tones, funky slap sounds, crunchy distortions and everything in-between. You'll get a truckload of great amps in one box-step from traditional bass amps modern overdriven amp tones that would typically require a lot of effects units. Authentic tube emulation circuitry can be mixed with the direct bass signal via the control mixture. Use presence control for definition and upper harmonics or rely on an ultra-musical 2-band EQ specifically tuned for bass guitars. Use both direct BDI21 for recording output with tube emulation or as a standard active direct injection box in bypass mode. The output is placed on ¼''TS or balanced, gold-plated XLR connectors. A ground lift switch eliminates typical ground loop problems, and it runs on 9 V battery or DC power supply (not included).

Products mentioned herein are exclusively BEHRINGER products and are not in any way associated with and has not been approved, licensed, sponsored, supported, designed or manufactured (or anything like that!) By anyone other than BEHRINGER. All Trademarks mentioned belong to their respective owners and are not affiliated with BEHRINGER.

Features Include:

• Analog modeling bass preamp/stompbox with DI recording output
• This BEHRINGER product has been designed to compete head to head with leading products on the market *
• Authentic V-TONE modeling technology capable of dialing up big vintage tube tones, funky slap sounds, crunchy distortions and all in between
• Provides a truckload of great amps in a single stomp box—from traditional bass amps to modern overdriven amp tones that would typically require a multitude of effects units
• Authentic tube emulation circuitry can be mixed with the direct bass signal via blend control
• Presence control for definition and upper harmonics plus ultra-musical 2-band EQ specifically tuned for bass guitars
• Dual DI mode for either direct recording output with tube emulation or standard active direct injection box in bypass mode
• Output available on ¼' TS or balanced, gold-plated XLR connectors
• Ground lift switch eliminates typical ground loop problems
• Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
• High-quality components and exceptionally rugged construction ensure long life

Digitech BP-200 Bass Modelling Pre-Amp Multi-effects Processor

 Digitech BP-200 Bass Modelling Pre-Amp Multi-effects Processor


With the BP-200, bass players can finally get a wide range of great bass effects and amp models capabilities in one small, very affordable unit!
The BP200 is a revolutionary Amp Modeling / Multi-effects processor designed specifically for bass guitar. Under the hood of BP200 is AudioDNA powerful DSP processor, providing 16 bass amp and stompbox models and a variety of other effects to create the signature sound of your own. Built-in expression pedal can be assigned to control parameters of your choice in real time. Each effect includes up to 3 adjustable parameters providing the flexibility to create the right sound you are looking for. 6 character alpha-numeric display and 3 matrix keypad-based user interface provides a simple, straight forward editing functions. The Rhythm Trainer is a great tool to polish your time with your choice of different patterns, tempo, and adjust the volume level. A color tuner allows you to quickly track your check or instrument to one of 4 different tuning references.

BP200 comes ready to use with 40 great factory presets, and includes 40 user presets for your own custom creations. Rear panel features a 1 / 4 "input, 1 / 4" TRS stereo output, 1 / 8 "stereo headphone output and a 1 / 8" stereo Jam-A-Long ™ input.

Features include:
• Full Featured Bass Amp Modeling Processor
• Includes both Bass Amplifier and Stompbox Models
• Cabinet Modeling
• Fretless Simulator
• Fretless Simulator
• Wah
• Compressor
• 3-band EQ
• Noise Gate
• Auto Swell
• Chorus
• Flanger
• Phaser
• Vibrato
• Pitch Shift
• Detune
• Whammy
• Octavider
• Synth Talk
• Envelope Filter
• Analog Delay
• Ping Pong Delay
• Reverb

Vintage '76 MXR Dyna Comp

Vintage '76 MXR Dyna Comp

In an effort to the highest tone, a compressor is a very necessary ally. MXR Dyna Comp and produced in 1976 has long been regarded as the end of the beat box compressor. There is something inherently musical in a way that "tightening up" the guitar signal, increasing the volume of records of calm and smooth the top to create a rich, full bodied sustain. From country to metal monster twangers, guitarists have long depended on the MXR Dyna Comp to make them stand up straight riffs in every live or studio mix.

MXR Custom Shop is now bringing back the highly sought-after vintage sound with '76 Dyna Comp. Carefully researched and compiled with great, the hotel has the same circuit used in the original 1976 Dyna Comp, identical in component layout, silkscreen and hand-made wire harness. Key components CA3080 old school "metal can" integrated circuit (IC), which produces a quieter operation, transparency and increased dynamic range. This IC has been out of production since the 80s, but the MXR have tracked their supply sufficient to produce a limited run of red boxes little compression happiness. With a limited supply, Vintage '76 MXR Dyna Comp destined to be like ultra-fast collection as a noble ancestors.

The use of bass efect on stage

The use of bass efect on stage

Every bass player has a different style of music styles, sound choice, and choice of equipment, the equipment they use. Like type amps (head cabinet or combo) and instrumentnya, and including additional paraphernalia, including bass effects.

Each player has a bass style (style) is different, ranging from style to play music, sound choice, and choice of equipment, the equipment they use. Like type amps (head cabinet or combo) and instrumentnya, and including also 'trinkets' other additional effects such as bass.


Bass effects that we know, we usually can find in the shops in Indonesia, many different instruments. From the beginning of the most simple facilities to the most complex.

As one example of simple bass effect is a stomp box, or better known as the effect of the car. The effect of this type in isolation, a sound effects (sound effects), although there is also a 'two-in-one' even 'three-in-one'. Some say that stomp box effects such is more resistant, both in quality and strength of body soundnya. Only possible for the price 'slightly' more expensive than digital effects.

For other types of securities that are the types of digital effects, which this effect to an instrument can bring a variety of character voices. With this effect, the user must be more diligent and patient in tweaking the sound effect for as desired.

There are also bass effects included in the family 'digital', it's just that it was designed to be installed in the rack (rack system). With 1 unit wide and some have 2 units (the term for a rack system) with the thickness (width) for 1 unit of about 4 cm - 5 cm.

And also many effects that have become one with the pre amp, and others.
Setting the Stage Effect

Before I start talking about the effects settings, I want to remind our friends to become more efficient in selecting for the purpose of music. We recommend that before you decide to purchase additional equipment or specific effects, we first must have a picture or design on the composition of our songs will play. With the composition of the new designs we make decisions about what is going to sound like we use, and what effect should we have to get the sound we want. This method is more efficient than if we buy securities without knowing what will we make with this effect. From the experience of some of my friends, many of them simply as 'hungry eyes' purchase additional equipment (mis.effect, etc.) that ultimately was never used until the damaged equipment by itself. This is what we try to avoid, so I always emphasize to put creativity to create a composite, and then supported with equipment that is really necessary.

Return to the current settings for the stage. Actually, this setting process similar to the process of setting for the amps. Complaints often occur where the sound is different (at the time at home and onstage) is more extensive because of the different rooms.

At the moment we try to sound at home or in the studio, spacious rooms may be only a small part of a large concert hall that will be used. And one more thing to remember is that when we get the effects and amp settings at home or in the studio, our distance with the cabinet (speakers) should not be in the hold. The end result should we listen to at a little distance, which is about 5m - 6m. Because the sound does not have to be produced at the time we closed the distance with the same cabinet at the time of our sound a little distance from the cabinet.

From the above it is easy to prove her own with a simple example of the changes caused by distance. Where we can try to play with a distance of about 1m from the cabinet (speaker amps), then back straight up to a distance of about 4m from the cabinet. And if we want to hear more extreme changes, after the retreat of about 4m from the amps trying to shift to the left or right around 1.5 m from the midpoint (the beginning). Where from these tests can we know what level of reverb effects, delay, drive, EQ, and others that we want.

It's good we did a test on a full band practice, which in this case we can detect the possibility of collision frequency with other low frequency instruments. Usually if the frequency of collisions, our bass tone becomes less clear and we can avoid this by fiddling with the EQ (one of them, or the amps EQ EQ effect if the effect is to have the EQ). Because of the changes that we hear the sound on stage.